Ariesson

Films from inside the room where the panels are made.

Short, unnarrated pieces cut from the studio archive. No music, no voiceover — just the sound of a knife on plaster and the hours it takes to get one surface right.

Rolling the first ground onto a raw panel and letting it starve into the weave.

First Ground

Rolling the first ground onto a raw panel and letting it starve into the weave.

Preparation · 04:20
A single ink line drawn in one continuous motion across two metres of linen.

One Line

A single ink line drawn in one continuous motion across two metres of linen.

Drawing · 03:45
Troweling plaster wet and carving it back before the surface sets hard.

Carved Plaster

Troweling plaster wet and carving it back before the surface sets hard.

Relief work · 05:10
Pouring an ochre glaze over a finished panel and tilting it until it stops.

Final Glaze

Pouring an ochre glaze over a finished panel and tilting it until it stops.

Finishing · 04:55
The quiet afternoon where finished panels are crated for an exhibition.

Leaving The Studio

The quiet afternoon where finished panels are crated for an exhibition.

Studio life · 03:30
An empty gallery wall at night with one large ochre and plaster panel lit from above

COMMISSION HIM.
ONE PANEL, ONE ROOM,
FILMED FROM THE FIRST
MARK TO THE LAST.

Start something