Pouring an ochre glaze over a finished panel and tilting it until it stops.

The panel in this film is already finished — every layer of ground, drawing and relief work is complete — and what's left is a single pour of ochre glaze across the top edge, tilted by hand until gravity finishes the composition. Ariesson controls the pour with small movements of the whole panel rather than the cup, so the glaze finds its own path through the texture built up underneath. The film ends the moment he sets the panel flat and stops touching it.